In praise of dead software, part 2

Read part one here. When I was thirteen or so I read the novelization of Close Encounters (because it was lying around the house and I was thirteen and bored,…

Room for improvement

My wife and I went to see Kate Rusby at Hugh’s Room in Toronto’s west end two Sundays back. She’s had limited exposure here in Canada, though true anglophiles will know her as the singer of the theme song for the understated comedy Jam and Jerusalem.

Make the benefit bigger

I really have to work on my rhetorical style. And by that I mean to say that I don’t think it’s the rhetoric that’s the problem so much as the delivery. I make what I think is – what I know to be a perfect conversation-ender and then turn as if to walk away, and at that instant, someone says “Yeah, it’s like when…”

Lost and found department

Okay so get this. On Thursday I posted about that cool book of modern piano music (published 1963) that I picked up on AbeBooks not long ago. Well you may…

In praise of dead software, part 1

I talk a lot about music hardware on this site, but the music that I write wouldn’t sound like much without software. Logic is my main audio production app, and…

New-ish music for the piano

There’s been a resurgence of interest online in 60s-style commercial design, that really evocative screen-print business with the deep cool colours, the kind of stuff Saul Bass made a name…

Conservative talking points on detainee scandal

I recently pointed out Harper’s communication strategy on the Afghan detainee scandal: any discussion opposing Conservative defense policy is equated with attacking the troops. I couldn’t have asked for a…

A creative brief for the anti-prorogation movement

I went to a political rally yesterday: the anti-prorogation rally. I’m very frustrated about the current political climate in Canada, and, perhaps like most Canadians, feel powerless to do anything about it. Sadly, I didn’t feel that much more empowered after the rally, for reasons I’ll get into below.

Brand differentiation fail

I have often said, of my day gig in advertising, “If this job is ever difficult, it’s because somebody screwed up.” You might think that’s pretty upbeat coming from me until you realize that only one screw-up has to be signed off on to make an entire campaign, or even a brand, difficult.